Post Tenebras Lux (Carlos Reygadas, 2012) The House That Jack Built (Lars Von Trier, 2018) Goodbye to Language (Jean-Luc Godard, 2014)įield Niggas (Khalik Allah, 2015) Under The Skin Frankie Vanaria: Thou Wast Mild and Lovely (Josephine Decker, 2014) The World’s End (Edgar Wright, 2013) Leviathan Danny Moltrasi:Īn Oversimplification of Her Beauty (Terrance Nance, 2012) Springsteen on Broadway (Thom Zimny, 2018) Leviathan (Lucien Castaing-Taylor, Véréna Paravel, 2012) Read Bennett’s interview with Buzzard director Joel Potrykusīuzzard (Oscilloscope Laboratories) Craig Wright:Īudrey the Trainwreck (Frank V. Each has directed more than one film that could’ve found a spot in the list above. Sniadecki, and Apichatpong Weerasethakul. Here’s 11 more directors who deserve a place in any 2010s retrospective: Maren Ade, Khalik Allah, Olivier Assayas, Noah Baumbach, Josephine Decker, Nathaniel Dorsky, Asghar Farhadi, Josh and Benny Safdie, J.P. If this list has a flaw (and that’s a big if) it’s that it totally ignores Martin Scorsese who somehow made this decade the most fruitful of his long and storied career. Manakamana (Stephanie Spray & Pacho Velez, 2013) Read Logan’s guide to “Elevated Horror” in the 2010s Bennett Glace:Įx Libris: The New York Public Library (Frederick Wiseman, 2017) The Cabin in the Woods (Drew Goddard, 2012).We Need To Talk About Kevin (Lynne Ramsay, 2012).Phantom Thread (Paul Thomas Anderson, 2017).Ross Audrey The Trainwreck (Courtesy of Frank V. Read Brett’s series on the Films of Frank V. Field Guide to November Days ( Nick Peterson, 2010).If one joint is good, why not smoke ten?” Throughout, Moondog is propped up by a cast of helpful enablers, including Flicker (Zac Efron), a fellow addict sporting a beard that looks like a panini Minnie (Isla Fisher), his ever-patient wife Lingerie (Snoop Dogg), whose joy revolves around procuring Jamaica’s highest-grade marijuana and Lewis, his literary agent, played by Jonah Hill with an impressively terrible Southern accent.Our writers share their favorite films of the past decade Brett Wright: “If something feels good, he just does it over and over again. “His character is a sensualist,” Korine says. Thompson and that obnoxious close-talking drunk at the bar who wants to be your best friend for him, carpe diem means breaking out of a rehab clinic to return to the inebriated ramble that is his life. The Beach Bum, which opens on March 29, tells the story of Moondog (McConnaughey), a privileged, bohemian poet who hangs out with Jimmy Buffet and divides his time between the dives of the Florida Keys and a mansion on Miami’s Star Island. “I never liked the idea of limiting it to some type of audience that ‘gets it.’” “However radical the perception of the work is, I always want it to come out in the most mainstream way possible,” Korine says. Like 2012’s Spring Breakers, the new film is a mindfuck of disparate styles, tones, and expectations, one that almost invites wildly off-kilter misreadings. But whereas his latest paintings are eerily vacant-mostly empty, nighttime spaces, populated only by dogs and imaginary creatures- The Beach Bum captures the strange human pageant that calls that landscape home. Korine doesn’t love drawing comparisons between his visual art and his films, but does note certain links between “Young Twitchy” and a movie like The Beach Bum-“tone, color, location, the kind of psychogeography of the world” among them. HARMONY KORINE, Twitchy we are one, 2018, Oil on canvas, 60 1/4 x 49 1/2 in, 153 x 125.7 cm.
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